Saturday, February 24, 2018

JOHN CHUCKMAN COMMENT: JONATHAN FREEDLAND DIPS HIS OAR INTO MOVIE CRITICISM - "THE POST" SHOULD BE BEST PICTURE? - SPIELBERG AS A DIRECTOR - KATHERINE GRAHAM AS A HUMAN - WASHINGTON POST AS A PROPAGANDA OUTLET




COMMENT POSTED TO AN ARTICLE BY JONATHAN FREEDLAND IN THE GUARDIAN


Ahead of the Academy Awards, Jonathan Freedland celebrates Steven Spielberg’s timely tale of press freedom

"Why The Post should win the 2018 best picture Oscar"

Ridiculous.

Steven Spielberg is, and always has been, a mediocre director.

He has indeed made a fortune with his pictures, but that is precisely because he is the greatest maker of schlock in history, and, in case you hadn't noticed, schlock sells, just like junk food or Barbie Dolls.

Although I am one who strongly believes that the Oscars do not represent merit - there being a long record of counter examples and even embarrassments - still, newspapers and columnists play the Hollywood promotion game and pretend they do represent merit.

So, let’s pretend for a moment they do represent merit. I don't think Spielberg can possibly compete on merit.

And this movie is full of crap. Katherine Graham was anything but an admirable person.

There is even the distinct possibility she had her hubby, an embarrassingly deranged man and owner of The Post, murdered. But even without that unproved claim, she was a very nefarious establishment figure.

As for The Washington Post, well, if you like American imperialism, that's one of your papers of choice. It promotes war ceaselessly.

Ben Bradlee, Graham's editor was, without question, a CIA insider, the kind of guy often in the past the security agency has planted in outfits like the New York Times and Washington Post a number of times.

There were many reasons for publishing the Pentagon Papers. It did not happen without major establishment insider support. To portray it as a brave battle with truth and the brave decision of this one woman is simply inaccurate, although it may be good drama.

I find it questionable at a time of fading influence by the mainline commercial press that we have a film making one of the club's big members look heroic.

The long-term record of The Post is appalling. Always, always a supporter of war and the Washington establishment, the kind of paper that has undoubtedly done far                more harm than good over time.

Praise them? I don't think so.